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A comprehensive new OPERA STUDY GUIDE AND LIBRETTO for Donizetti's The Elixir of Love (L'Elisir d'Amore), featuring Principal Characters in the Opera; Brief Story Synopsis; Story Narrative with Music Highlight Examples; a newly translated LIBRETTO with Italian and English translation side-by-side, with Music Highlight Examples; and Burton D. Fisher's in depth and insightful Commentary and Analysis.
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A comprehensive new OPERA STUDY of Verdi¿s SIMON BOCCANEGRA, featuring Principal Characters in the Opera; Brief Story Synopsis; Story Narrative with Music Highlight Examples; Burton D. Fisher's in depth and insightful Commentary and Analysis; and a new LIBRETTO with Italian and English translation side-by-side.
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A comprehensive new VERDI COMPANION, featuring Story Narratives with Music Highlight Examples for each of Verdi's 27 operas.
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‘What is art?’ is one of the classic questions that philosophy has addressed over the ages, from the ancients to today. Taking as its starting point debates over the various definitions of art found in history, this article presents and discusses some of the major theories offered by both the analytic and continental traditions. It then looks at the theoretical reasons that led twentieth-century philosophy to reopen the question of definition, and in many cases inquire into the ontology of art itself. Finally, a series of considerations are addressed to help shift the problem of definition onto a new plane, one that is able to respond to the challenges of the performing and participatory arts, which more than any other form of art present particularly unconventional ontologies.
Arts --- Philosophy.
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"What does performativity signify? And what does it mean to speak of something as being performative? Aiming to clarify and critically highlight an important but sometimes elusive concept, this book consists of five chapters, each addressing a concrete situation of interpretation. By highlighting artworks and images from different historical periods and contexts, the authors show how performativity might be a versatile and useful concept for interpretations of images. The purpose is to convey the critical potential of the concept as it is activated in relation to different objects of study. The book is primarily addressed to students of art history and others who take an interest in questions of visuality and visual practices. Offering not only a theoretical understanding of the concept, it strives to point out ways and possibilities of the practical use of performativity. This book constitutes the first volume of Theoretical Applications in Art History, which forms part of the series Basic Readings in Culture and Aesthetics. Its editors, Malin Hedlin Hayden and Mårten Snickare, are professors of art history at the Department of Culture and Aesthetics, Stockholm University.
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This volume offers a fresh perspective on the copy and the practice of copying, two topics that, while the focus of much academic discussion in recent decades, have been underrepresented in the discourse on transculturality. Here, experts from a wide range of academic disciplines present their views on the copy from a transcultural perspective, seeking not to define the copy uniformly, but to reveal its dynamic and transformative power. The copy and the practice of copying are thus presented as constituents of transculturality via thought-provoking contributions on topics spanning time periods from antiquity to the present, and regions from Asia to Europe. In so doing, these contributions aim to create the basis for a novel, interdisciplinary discourse on the copy and its transcultural impact throughout history.
Arts --- Reproduction.
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Voici republiés et rassemblés, pour la première fois depuis leur parution (de 1927 à 1929), les huit tomes de la série Écrivains & Artistes de Léon Daudet. Recherchées par les amateurs et collectionneurs pour leur grande rareté, ces compilations valent surtout pour les nombreux jugements que les auteurs, morts, vivants ou exténués ont inspirés à l’auteur : Shakespeare, Rabelais, Molière, Dostoïevski, Baudelaire, Flaubert, Maupassant, Zola, Proust, Robert Louis Stevenson, Kessel, Georges Bernanos, Paul Valéry, Balzac, Victor Hugo, Oscar Wilde, Alexandre Dumas, Madame de Sévigné et bien d’autres encore. Le polémiste avait ses détestations tenaces et ses valeurs refuges. Il haïssait la littérature « automatique » et chérissait, lucide, le talent, les étoiles vraies, tous ceux dont les livres engendrent une sorte d’hallucination sentimentale. Savoir écrire, c’est savoir lire : Daudet le dit, Daudet le prouve.
Arts --- Littérature
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